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George Adams & Don Pullen Quartet - Decisions (1984) {2015 Japan Timeless Jazz Master Collection Complete Series}
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© 1984, 2015 Timeless Records / Solid Records Japan / Ultra-Vibe | CDSOL-6350
Jazz / Post Bop / Avant-Garde Jazz / Blues Jazz / Saxophone / Piano

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Reissue with the latest remastering. Features original cover artwork. Comes with a descripton in Japanese. One of those key records that has George Adams and Don Pullen reinventing expectations of jazz for the 80s – both musicians with plenty of ear for the outside, but also coming back home with a well-rounded, deeply-rooted approach that's crucial in taking the American jazz legacy another step forward! Like some of their similar contemporaries, who could also be avant at times, and straight at others – Adams and Pullen have no concern with setting themselves in one camp or another – and not only flesh out the spirit of the record with both of those aspects of their playing, but also have some surprisingly bluesy undercurrents at times.

The group features George Adams on tenor, Don Pullen on piano, Cameron Brown on bass, and Dannie Richmond on drums – and titles include "Decisions", "Triple Over Time", "I Could Really For You", "Message Urgent", and "Trees & Grass & Things".

This one has all the verve that characterized the best of the George Adams-Don Pullen Quartet's albums, without pandering to the commercialism that some of these recordings exuded. There are some tasty extended solos by all the players, and the choice of tunes is impressive, even if sometimes they sound like simple heads. The requisite spiritual, "The Eye Is on the Sparrow," is typically lush and gorgeously sensuous, while the other pieces are all originals by either Pullen or Adams. If some of the energy of the best of the Quartet is occasionally lacking, there is still enough joyous vigor to appeal to enthusiasts of the group. Adams has such an infectious vim in his playing that every time he picks up his horn the notes seem to fly with abandon, and Pullen crunches the keyboard in a way that only he could. When the Quartet was at its best, as it sometimes is here, it was simply unbeatable.

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Personnel:

George Adams - tenor saxophone
Don Pullen - piano
Cameron Brown - bass
Dannie Richmond - drums

Recorded at Studio 44, Monster, Holland, Feb 2&3, 1984

Tracklist:

01 - Trees And Grass And Thangs
02 - His Eye Is On The Sparrow
03 - Message Urgent
04 - Decisions
05 - Triple Over Time
06 - I Could Really For You

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George Lewis and His Ragtime Band - Jazz At Vespers (1954) {Riverside OJCCD-1721-2 rel 1992}
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© 1954, 1992 Riverside / Fantasy / OJC | OJCCD-1721-2
Jazz / Ragtime / New Orleans Jazz / Clarinet

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The recording captures Lewis's ensemble perhaps at zenith. "Jazz at Vespers" is one of the key albums in the George Lewis canon. It was recorded during a Vespers service in 1954 at Holy Trinity Episcopal Church in Oxford Ohio. This was the church of Rev. Alvin Kershaw, a jazz enthusiast who was one of the first to use jazz bands as part of a service. George Lewis was at his best playing spirituals, his clarinet gentle and introspective, weaving inside the melodies like a white dove. The band backed him sensitively.Highly recommended. Clean, clear recordings.
This was the band that had such a powerful impact upon the English trad jazz scene (which in many ways remains more organized and vibrant than the trad jazz community in the US). Monty Sunshine, Acker Bilk, Terry Lightfoot, and countless others imitated and learned from George Lewis, branching out creatively into their own styles afterwards; a young Ringo Starr heard the band and was awed by Joe Watkins's drumming (and once you hear Watkins, you can hear how deeply it impacted the future Beatle). The root of all this music is the spiritual, and the specific depth of uniting human emotion to praise and lamentation, communally. There are few recordings as important as this in jazz history. It does not feature virtuoso playing; it is pure ensemble. It's also something every jazz musician should experience and study.

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Personnel:

George Lewis - clarinet
Avery "Kid" Howard - trumpet
Jim Robinson - trombone
Alton Purnell - piano
Lawrence Marrero - banjo
Alcide "Slow Drag" Pavageau - bass
Joe Watkins - drums

Tracklist:

01 - Just A Little While To Stay Here
02 - Bye And Bye
03 - The Old Rugged Cross
04 - Sometimes My Burden Is Hard To Bear
05 - Down By The Riverside
06 - Just A Closer Walk With Thee
07 - Lord You've Been Good To Me
08 - When The Saints Go Marching In

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George Russell - Stratusphunk + The Stratus Seekers (1960, 1962) {2012 Japan SHM-CD Jazzplus Series}
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© 2012 Riverside / Universal Japan | UCCU-3175 | 24-bit remaster
Jazz / Post Bop / Experimental Jazz / Third Stream

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Features the high-fidelity SHM-CD format (compatible with standard CD players). Brand new digital remaster. A pair of modern moments from George Russell – back to back on a single CD! Stratusphunk is not "phunk", in the way you might think of "funk" – but an album that sets a whole new standard for modern jazz in the 60s – thanks to the fresh ideas of George Russell! Russell's in his best modal mode here – and there's a highly rhythmic construction to most tunes – layers that build beautifully, and which have a sharper edge than some of George's earlier work in the 50s – a balance that's better heard than described by our words, and which is completely compelling right from the start.

The vibe is modern, but things still swing beautifully – and players are mostly younger musicians eager to follow Russell's leadership on piano – Dave Young on tenor, David Baker on trombone, Alan Kiger on trumpet, and Chuck Israels on bass. Titles include "Lambskins", "Stratusphunk", "New Donna", "Kentucky Oysters", and "Bent Eagle". Stratus Seekers is key work from the guy who put the "modern" in modern jazz – the great George Russell, heard here in the company of some younger players who definitely help him seek out some new territory in music! The record's got a wonderful balance between sharp edges and swing – a sound that few others could handle so well as Russell – and which bears some links to George's bigger concept albums in the 50s, but comes across with a sound that's much leaner, and which easily makes this record one of the most striking modern sides on the Riverside label at the time! Players are all great – and include Don Ellis on trumpet, Paul Plummer on tenor, John Pierce on alto, and Steve Swallow on bass – plus Russell on piano and Joe Hunt on drums. Titles include "Stereophrenic", "Pan Daddy", "Kige's Tune", and "Blues In Orbit".

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Personnel:

STRATUSPHUNK
GEORGE RUSSELL piano;
ALAN KIGER trumpet;
DAVID BAKER trombone;
DAVE YOUNG tenor saxophone;
CHUCK ISRAELS bass;
JOE HUNT drums

Produced by ORRIN KEEPNEWS;
Originally released as Riverside RLP 9341

THE STRATUS SEEKERS
GEORGE RUSSELL piano;
DON ELLIS trumpet;
DAVID BAKER trombone;
JOHN PIERCE alto saxophone;
PAUL PLUMMER tenor saxophone;
STEVE SWALLOW bass;
JOE HUNT drums

Produced by ORRIN KEEPNEWS;
Originally released as Riverside RLP 9412

Tracklist:

01 - Stratusphunk
02 - New Donna
03 - Bent Eagle
04 - Kentucky Oysters
05 - Lambskins
06 - Things New
07 - Pan-Daddy
08 - The Stratus Seekers
09 - Kige's Tune
10 - Blues In Orbit
11 - A Lonely Place
12 - Stereophrenic

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Hampton Hawes Quartet - All Night Session Vols. 1-3 (1956) [2CD] {Japan Victor Mini LP 20-bit K2}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 367 + 367 Mb |
Full Artwork @ 300 dpi (jpg) | 20-bit K2 super coding
© 2001 Contemporary Records / Victor Japan | VICJ-60782~3
Jazz / Bop / Hard Bop / Piano

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A Japanese reissue of this terrific session which was originally released on three LPs. It's beautifully remastered in 20-bit K2 super coding and contains one track not on any of the original LPs. Originally issued on three LPs, the music resulting from Hampton Hawes' All Night Session! was stereophonically recorded for the Contemporary label in Los Angeles on the night of November 12 and into the morning of November 13, 1956. This session transcended the conventions of studio production by moving steadily from one tune to the next like a live gig with no alternate takes.
Here is West Coast bop at its most spontaneous and exciting. Prior to this highly successful quartet experiment, Hawes had recorded mainly with his trio. He said that the addition of guitarist Jim Hall opened up more rhythmic possibilities. The currents passing between Hawes and bassist Red Mitchell were the metabolic pulse of this group; drummer Eldridge "Bruz" Freeman was a replacement for Chuck Thompson, whose heroin habit had forced him out of the band earlier that year. On this night Hawes chose to reinterpret no less than four Dizzy Gillespie compositions, along with themes by Duke Ellington and Duke Jordan as well as six chestnuts from the standard jazz repertoire. But there's nothing "standardized" about this music. Like his main influence, Charlie Parker, Hampton Hawes was a strikingly inventive blues-based improviser; this element is strongly present throughout, particularly during five spontaneously composed Hawes originals that materialized during this monumentally creative All Night Session! Now, 50 years after this music was first made available to the public, the Definitive label's beautifully remastered edition should enable this to be acknowledged and appreciated as one of the truly essential jazz recordings of all time.

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Personnel:

Hampton Hawes - piano
Jim Hall - guitar
Red Mitchell - bass
Bruz Freeman - drums

Tracklist:

Disc One

01 - Jordu
02 - Groovin' High
03 - Takin' Care
04 - Broadway
05 - Hampton's Pulpit
06 - I'll Remember April
07 - I Should Care
08 - Woody 'N' You
09 - Two Bass Hit

Disc Two

01 - Will You Still Be Mine
02 - April In Paris
03 - Blue 'N' Boogie
04 - Do Nothin' 'Till You Hear From Me
05 - Blues #3
06 - Between The Devil And The Deep Blue Sea
07 - Blues #4
08 - Blues Of A Sort (*)

Recorded: November 12 & 13 (*), 1956 Los Angeles, CA

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Hank Crawford - Mr. Blues (1967) {2013 Japan Jazz Best Collection 1000 Series 24bit Remaster}
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Full Artwork @ 300 dpi (jpg) | 24-bit remaster
© 1967, 2013 Atlantic / Warner Japan / WEA / Rhino | WPCR-27470 | Jazz Best Collection 1000 Series
Jazz / Hard Bop / Soul Jazz / Jazz Blues / Saxophone

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Features 24 bit remastering and comes with a mini-description. When Ray Charles' musical director has the words "blues" and "soul" in large type on the covers of his own releases, there's a strong chance that's what the listener will find inside. The Mr. Blues set from 1968 is Crawford and a small horn section playing rocking blues riffs with a crack rhythm section. Instrumental R&B doesn't get much hipper. Crawford's tough but lyrical sound – informed by a bebopper's command and facility – is tailor-made for this blues-charged music. Highlights include the title track, a cool, finger-popping "Route 66," a sleazy, churning "Lonely Avenue," and a couple of no-nonsense Crawford originals. A middle-of-the road "On a Clear Day (You Can See Forever)" is the only departure from the set's satisfyingly gritty feel.

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Personnel:

Hank Crawford (Alto Saxophone, Piano)
Fielder Floyd (Trumpet)
John Hunt (Trumpet)
Wendell Harrison (Tenor Saxophone)
Sonny Forriest (Guitar)
Lonnie Shaw (Baritone Saxophone)
Howard Johnson (Baritone Saxophone)
Charles Green (Double Bass)
Charles Lindsay (Double Bass)
Charles Dungey (Double Bass)
Milt Turner (Drums)
Wilbert Hogan (Drums)
Isaac Walton (Drums)
Joe Dukes (Drums)

Tracklist:

01 - Mr. Blues
02 - On A Clear Day (You Can See Forever)
03 - Hush Puppies
04 - Danger Zone
05 - Route 66
06 - Lonely Avenue
07 - Teardrops
08 - Smoky City
09 - The Turfer

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Jackie McLean - Vertigo (1963) {2012 Japanese BNLT Series Remaster}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 267 Mb |
Full Artwork @ 300 dpi (jpg) | 5% repair rar
© 2012 Blue Note / EMI Music Japan | TOCJ-50297
Jazz / Hard Bop / Post Bop / Saxophone

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This 1980 recording released for the first time – "Formidable" from a 1959 session and five numbers from a 1963 McLean set. While "Formidable" has a strong quintet (with altoist Jackie McLean, trumpeter Donald Byrd, pianist Walter Davis, bassist Paul Chambers, and drummer Pete La Roca), the 1963 session has the recording debut of drummer Tony Williams along with strong contributions from Byrd, pianist Herbie Hancock (then also near the beginning of his career), and bassist Butch Warren. The latter unit sticks to group originals by Byrd, Hancock, and McLean, and the music ranges from catchy funk and hard bop to strong hints of the avant-garde.

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Personnel:

Jackie McLean - alto saxophone
Donald Byrd - trumpet
Herbie Hancock - piano
Butch Warren - bass
Tony Williams - drums
Walter Davis Jr. - piano
Paul Chambers - bass
Pete LaRoca - drums

Tracklist:

01 - Marney
02 - Dusty Foot
03 - Formidable
04 - Vertigo
05 - Cheers
06 - Yams

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Joanne Brackeen - Aft (1977) {2015 Japan Timeless Jazz Master Collection Complete Series}
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© 1977, 2015 Timeless Records / Solid Records Japan / Ultra-Vibe | CDSOL-6348
Jazz / Post Bop / Progressive Jazz / Piano

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Reissue with the latest remastering. Features original cover artwork. Comes with a descripton in Japanese. Really great work from pianist Joanne Brackeen – a player who's always got plenty to offer, but who really seems to find a special space here – working in a unique trio that features Clint Houston on bass and Ryo Kawasaki on guitar! Houston's bass is wonderful – full, rich, and very well-rounded – an element that brings so much depth to the record that both Ryo and Joanne can really take off – Kawasaki on these colorful lines that have a bit more bite than his more fusiony guitar albums as a leader, and Brackeen with these incredibly deft, incredibly well-spun lines on piano. The balance of sounds is wonderful – very fresh and unique – and titles include "Aft", "Haiti B", "Dreamers", and "Winter Is Here".
This is one of the more obscure Joanne Brackeen recordings. Although the pianist is heard in a trio with guitarist Ryo Kawasaki and bassist Clint Houston, the music sounds nothing like Nat King Cole or Oscar Peterson. Actually Brackeen long ago developed her own distinctive chord voicings and, even when one hears touches of McCoy Tyner or Chick Corea in her solos, in reality she sounds like no one else. Her close interplay with Kawasaki and Houston on the six group originals (four by Brackeen) is consistently impressive and unpredictable.

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Personnel:

Joanne Brackeen - piano
Clint Houston - bass
Ryo Kawasaki - guitar

Recorded at CI Recording Studio, NYC, December 30, 1977

Tracklist:

01 - Haiti B
02 - Charlotte's Dream
03 - Dreamers
04 - Aft
05 - Winter Is Here
06 - Green Voices Of Play Air

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Joe Castro - Groove Funk Soul (1960) {2013 Japan Jazz Best Collection 1000 Series 24bit Remaster}
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Full Artwork @ 600 dpi (png) | 24-bit remaster
© 1960, 2013 Atlantic / Warner Japan / WEA / Rhino | WPCR-27264 | Jazz Best Collection 1000 Series
Jazz / Bop / Soul Jazz / Piano

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Features 24 bit remastering and comes with a mini-description. On this inspired release, world renowned pianist Joe Castro is joined by Teddy Edwards, Leroy Vinnegar and Billy Higgins. This soul-jazz recording features the standouts “Groove Funk Soul,” “That’s All,” “Yesterdays” and “Play Me The Blues.”
At one time a topflight soloist and accompanist in textbook bop fashion, Joe Castro eventually departed jazz world for more profitable territory of show biz and Las Vegas. He began playing professionally at 15 in his Pittsburg, California hometown. Castro formed his own trio upon completing his army service in 1947, working on both the West Coast and in Hawaii. During the '50s he backed vocalists Anita O'Day and June Christy before joining Teddy Edwards' band in 1959. Castro recorded and performed with Edwards and also made his own recordings as a leader before becoming music director for Tony Martin from 1961 to 1963. Since that time, he has been busy accompanying vocalists and playing in Las Vegas pit bands, only rarely returning to straight ahead jazz world.

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Personnel:

Joe Castro - piano
Teddy Edwards - tenor saxophone
Leroy Vinnegar - bass
Billy Higgins - drums

Tracklist:

01. Groove Funk Soul
02. Yesterdays
03. Day Dream
04. It Could Happen To You
05. Play Me The Blues
06. That's All

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Joe Henderson - Power To The People (1969) {2007 Milestone} [Keepnews Collection Complete Series] (Item #3)
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Full Artwork @ 600 dpi (png) | 24-bit remastering
© 2007 Concord / Milestone | 0888072301306
Jazz / Post Bop / Hard Bop / Saxophone

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Remastered in 24-bit from the original master tapes. Part of our Keepnews Collection, which spotlights classic albums originally produced by the legendary Orrin Keepnews. The only Milestone release in the Keepnews Collection is Henderson’s brilliant electric and acoustic outing with an incredible band of pianist Herbie Hancock (also on keys), bassist Ron Carter (also on electric bass) and drummer Jack DeJohnette.
This marks the first time Power to the People has been issued on CD in its own right, other than having its tunes be included in a boxed set. While the tenor saxophonist never got his true recognition until his latter-day career, he recorded extensively for Milestone, including this third outing that Keepnews says offers “some of the most wonderfully, effectively professional music I have ever been involved with.” The disc features the debut recording of the tenor saxophonist’s classic composition, “Black Narcissus.”

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Personnel:

Joe Henderson (tenor saxophone);
Mike Lawrence (trumpet);
Herbie Hancock (piano, electric piano);
Ron Carter (bass, electric bass);
Jack DeJohnette (drums)

Tracklist:

01 - Black Narcissus
02 - Afro-Centric
03 - Opus One-Point-Five
04 - Isotope
05 - Power To The People
06 - Lazy Afternoon
07 - Foresight And Afterthought (an impromptu suite)

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Archie Shepp - Little Red Moon (1985) {Soul Note SN 1112 CD}
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© 1985, 1986 Soul Note | SN 1112 CD
Jazz / Post Bop / Free Improvisation / Saxophone

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"Serious collectors and devoted Sheppherds only…" By 1985 Archie Shepp's tone on tenor had declined quite a bit from just a few years earlier. This should have been a strong set for the sidemen (trumpeter Enrico Rava, keyboardist Siegfried Kessler, bassist Wilbur Little and drummer Clifford Jarvis) are excellent and the repertoire is both diverse and challenging. However Shepp fouls up "Naima" by playing his out-of-tune soprano, talks and sings on the 18-minute "Little Red Moon" more than he plays tenor and his sax sounds quite sloppy on "Whisper Not" and "Sweet Georgia Brown." Despite some good moments from the supporting cast, this is one to skip.

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Personnel:

Archie Shepp - tenor & soprano saxophone, vocal
Enrico Rava - trumpet, flugelhorn
Siegfried Kessler - piano, synthesizer
Wilbur Little - bass
Clifford Jarvis - drums

Tracklist:

01 - Little Red Moon
02 - Impromptu
03 - Naima
04 - Whisper Not
05 - Sweet Georgia Brown

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Gary Burton - Country Roads & Other Places (1969) {RCA-Koch Jazz rel 1998}
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© 1969, 1998 RCA / BMG / Koch Jazz | KOC CD 7854
Jazz / Post Bop / Vibes

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With longtime bassist Steve Swallow, the return of drummer Roy Haynes, and the debut of guitarist Jerry Hahn, Gary Burton's second quartet continued his open-minded policy toward other styles of music. In addition to both melodic and advanced jazz, Burton incorporates elements of country, rock, pop and even classical music on this fairly rare LP, Country Roads and Other Places. Whether it be a "Ravel Prelude," "Wichita Breakdown" or "My Foolish Heart," the music is full of logical surprises that foreshadow the eclectic nature of much of '80s and '90s jazz.

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Personnel:

Gary Burton - vibes
Jerry Hahn - guitar
Steve Swallow - bass
Roy Haynes - drums

Tracklist:

01 - Country Roads
02 - The Green Mountains
03 - True Or False
04 - Gone, But Forgotten
05 - Ravel Prelude – Le Tombeau De Couperin: Prelude
06 - And On The Third Day
07 - A Singing Song
08 - Wichita Breakdown
09 - My Foolish Heart
10 - A Family Joy

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John Coltrane - Coltrane (1957) {Prestige 50th Anniversary 20-bit K2 Edition}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 172 Mb |
Full Artwork @ 300 dpi (jpg)
© 2001 Prestige / Fantasy | PRCD-7105-2 | 20-bit K2
Jazz / Hard Bop / Saxophone

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On his first session as a bandleader, tenor saxophonist John Coltrane is joined by Johnny Splawn on trumpet, Sahib Shihab on baritone sax, and a rhythm section of bassist Paul Chambers and drummer Albert "Tootie" Heath with piano duties split between Mal Waldron and Red Garland. Right out of the gate, the propulsive syncopated beat that drives through the heart of Coltrane's fellow Philly denizen Calvin Massey's "Bakai" indicates that Coltrane and company are playing for keeps. Shihab's emphatic and repetitive drone provides a manic urgency that fuels the participants as they weave in and out of the trance-like chorus.

Coltrane grabs hold with bright and aggressive lines, turning the minor-chord progressions around into a spirited and soulful outing. While the refined and elegant "Violets for Your Furs" as well as the slinky and surreptitious "While My Lady Sleeps" are undeniably ballads, they aren't redundant. Rather, each complements the other with somewhat alternate approaches. "Violets for Your Furs" develops the role of the more traditional pop standard, whereas the somnolence is disrupted by the tension and release coursing just below the surface of "While My Lady Sleeps." The Coltrane-supplied "Straight Street" is replete with the angular progressions that would become his stock-in-trade. In fact, the short clusters of notes that Coltrane unleashes are unmistakable beacons pointing toward his singular harmonics and impeccably timed phrasing on 1960's Giant Steps and beyond. The closer, "Chronic Blues," demonstrates Coltrane's increasing capacity for writing and arranging for an ensemble. The thick unified sound of Coltrane, Splawn, and Shihab presents a formidable presence as they blow the minor-chord blues chorus together before dissolving into respective solos. The trio's divergent styles prominently rise, pitting Shihab's down-and-dirty growl against Coltrane's comparatively sweet tones and Splawn's vacillating cool and fiery fingering. Regardless of the listener's expertise, Coltrane is as enjoyable as it is thoroughly accessible.

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Personnel:

John Coltrane - tenor saxophone
Johnnie Splawn - trumpet
Sahib Shihab - baritone saxophone
Red Garland, Mal Waldron - piano
Paul Chambers - bass
Albert "Tootie" Heath - drums

Tracklist:

01. Bakai
02. Violets for Your Furs
03. Time Was
04. Straight Street
05. While My Lady Sleeps
06. Chronic Blues

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Valter13
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John Coltrane - My Favourite Things (+ Bags & Trane) (1961) 2CD Remastered Reissue 2012
EAC | FLAC | Tracks (Cue&Log) ~ 317 + 223 Mb (incl 5%) | Scans included
Genre: Hard Bop, Modal Jazz | Label: Not Now Music | # NOT2CD440 | Time: 01:17:24

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Although seemingly impossible to comprehend, this landmark jazz date made in 1960 was recorded in less than three days. All the more remarkable is that the same sessions which yielded My Favorite Things would also inform a majority of the albums Coltrane Plays the Blues, Coltrane's Sound, and Coltrane Legacy. It is easy to understand the appeal that these sides continue to hold. The unforced, practically casual soloing styles of the assembled quartet – which includes Coltrane (soprano/tenor sax), McCoy Tyner (piano), Steve Davis (bass), and Elvin Jones (drums) – allow for tastefully executed passages à la the Miles Davis Quintet, a trait Coltrane no doubt honed during his tenure in that band. Each track of this album is a joy to revisit. The ultimate listenability may reside in this quartet's capacity to not be overwhelmed by the soloist. Likewise, they are able to push the grooves along surreptitiously and unfettered. For instance, the support that the trio – most notably Tyner – gives to Coltrane on the title track winds the melody in and around itself. However, instead of becoming entangled and directionless, these musical sidebars simultaneously define the direction the song is taking. As a soloist, the definitive soprano sax runs during the Cole Porter standard "Everytime We Say Goodbye" and tenor solos on "But Not for Me" easily establish Coltrane as a pioneer of both instruments.

Review by Lindsay Planer, Allmusic.com

Bags & Trane:

Vibraphonist Milt Jackson and tenor saxophonist John Coltrane make for a surprisingly complementary team on this 1959 studio session, their only joint recording. With fine backup by pianist Hank Jones, bassist Paul Chambers, and drummer Connie Kay, Bags and Trane stretch out on two of Jackson's originals (including "The Late Late Blues") and three standards: a romping "Three Little Words," "The Night We Called It a Day," and the rapid "Be-Bop."

Review by Scott Yanow, Allmusic.com

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Tracklist:

CD1:

01. My Favorite Things (13:44)
02. Everytime We Say Goodbye (05:42)
03. Summertime (11:35)
04. But Not For Me (09:38 )

CD2:

01. Bags & Trane (07:23)
02. Three Little Words (07:29)
03. The Night We Called It A Day (04:20)
04. Be-Bop (07:59)
05. The Late Late Blues (09:32)

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John Coltrane - Om (1965) {Impulse!-Verve Originals rel 2011}
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© 1965, 2011 Impulse! / Verve / UMG | Verve Originals Series | B0015828-2 | LP AS-9140
Jazz / Avant-Garde Jazz / Free Jazz / Saxophone

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A pure statement of being and essence – and one of John Coltrane's spiritual masterpieces from the 60s! The 1965 recording was one of Trane's most adventurous so far – as it featured just one album-length track, building up out of relatively free expressions from Coltrane in the studio – initially in the spirit of Love Supreme, but much sharper-edged and unbridled overall – as if the meditative spirit of the previous recording had unlocked a sense of freedom that refused to be tied down to simple structures! The group is great – and features Pharoah Sanders on tenor, Donald Garrett on bass clarinet, McCoy Tyner on piano, Jimmy Garrison on bass, and Elvin Jones on drums – plus a bit of flute and percussion from Joe Brazil. The playing is much freer than on other albums of the time, but also has some introspective spiritual moments – clearly inspired by the Love Supreme recording, but taken a shade outside as well!

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Personnel:


John Coltrane
- tenor and soprano saxophone
Pharoah Sanders - tenor saxophone
Donald Rafael Garrett - double bass and clarinet
Joe Brazil - flute, percussion
McCoy Tyner - piano
Jimmy Garrison - bass
Elvin Jones - drums

Tracklist:

01 - Om

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John Coltrane - Stardust (1958) {2007 Prestige RVG Remasters Series}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 411 Mb |
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© 2007 Concord / Prestige | PRCD-30168 | Prestige RVG Remasters Series | 24-bit remaster | PRLP 7268
Jazz / Hard Bop / Saxophone

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“I was the engineer on the recording sessions and I also made the masters for the original LP issues of these albums. Since the advent of the CD, other people have been making the masters. Mastering is the final step in the process of creating the sound of the finished product. Now, thanks to the folks at the Concord Music Group who have given me the opportunity to remaster these albums, I can present my versions of the music on CD using modern technology. I remember the sessions well, I remember how the musicians wanted to sound, and I remember their reactions to the playbacks. Today, I feel strongly that I am their messenger.” —Rudy Van Gelder.
It's hard to believe after hearing the eloquence of "Then I'll Be Tired of You" or the title track, but John Coltrane's ballad mastery was the last of his skills to receive wide appreciation. The notion that Coltrane the balladeer was as commanding as Coltrane the uptempo wizard or Coltrane the blues player finally gained acceptance in the early 60s, when this album first appeared and quickly became an important exhibit in the reconsideration. The extended performances boast additional delights, including Paul Chambers's arco bass on "Stardust," Red Garland's well-paced choruses on "Time After Time," some of Wilbur Harden's best trumpet work on "Love Thy Neighbor," and Freddie Hubbard's earliest on "Then I'll Be Tired of You"; they were recorded at Coltrane's final two sessions for Prestige.

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Personnel:

John Coltrane - tenor saxophone
Wilbur Harden - flugelhorn (1), trumpet (3)
Freddie Hubbard - trumpet (4)
Red Garland - piano
Paul Chambers - bass
Jimmy Cobb - drums (1,3)
Arthur Taylor - drums (2,4)

Tracklist:

01 - Stardust
02 - Time After Time
03 - Love Thy Neighbor
04 - Then I'll Be Tired Of You

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